Shuggie Bain : Winner of the Booker Prize 2020

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Douglas Stuart was born and raised in Glasgow. After graduating from the Royal College of Art, he moved to New York, where he began a career in fashion design. Shuggie Bain, his first novel, won the Booker Prize and the Sue Kaufman Prize of the American Academy of Arts and Letters and was shortlisted for the National Book Award for Fiction, the Kirkus Prize and the Center for Fiction First Novel Prize. His short stories have appeared in the New Yorker and his essay on Gender, Anxiety and Class was published by Lit Hub. He lives in New York.

Winner of the Booker Prize 2020 Winner of 'Book of the Year' at the British Book Awards 2021 Winner of 'Debut of the Year' at the British Book Awards 2021 Shortlisted for the US National Book Award for Fiction 2020 A BBC Two 'Between the Covers' 2021 Book Choice 'We were bowled over by this first novel, which creates an amazingly intimate, compassionate, gripping portrait of addiction, courage and love.' The judges of the Booker Prize 'Douglas Stuart has written a first novel of rare and lasting beauty.' - Observer It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life. She dreams of greater things: a house with its own front door and a life bought and paid for outright (like her perfect, but false, teeth). But Agnes is abandoned by her philandering husband, and soon she and her three children find themselves trapped in a decimated mining town. As she descends deeper into drink, the children try their best to save her, yet one by one they must abandon her to save themselves. It is her son Shuggie who holds out hope the longest. Shuggie is different. Fastidious and fussy, he shares his mother's sense of snobbish propriety. The miners' children pick on him and adults condemn him as no' right. But Shuggie believes that if he tries his hardest, he can be normal like the other boys and help his mother escape this hopeless place. Douglas Stuart's Shuggie Bain lays bare the ruthlessness of poverty, the limits of love, and the hollowness of pride. A counterpart to the privileged Thatcher-era London of Alan Hollinghurst's The Line of Beauty, it also recalls the work of Edouard Louis, Frank McCourt, and Hanya Yanagihara, a blistering debut by a brilliant writer with a powerful and important story to tell.

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