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The Stranger

By Albert Camus

9.00 JOD

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ISBN: 9780679720201
Publisher: Penguin Random House
Binding: Paperback
Number of Pages: 144
Publication Date: 15-Dec-14
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With the intrigue of a psychological thriller, The Stranger—Camus”s masterpiece—gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. With an Introduction by Peter Dunwoodie; translated by Matthew Ward.

Behind the subterfuge, Camus explores what he termed “the nakedness of man faced with the absurd” and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life.

“The Stranger is a strikingly modern text and Matthew Ward’s translation will enable readers to appreciate why Camus’s stoical anti-hero and ­devious narrator remains one of the key expressions of a postwar Western malaise, and one of the cleverest exponents of a literature of ambiguity.” —from the Introduction by Peter Dunwoodie

First published in 1946; now in translation by Matthew Ward.

Albert Camus was a French philosopher, author, dramatist, journalist, world federalist, and political activist. He was the recipient of the 1957 Nobel Prize in Literature at the age of 44, the second-youngest recipient in history.

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Albert Camus was a French philosopher, author, dramatist, journalist, world federalist, and political activist. He was the recipient of the 1957 Nobel Prize in Literature at the age of 44, the second-youngest recipient in history.

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With the intrigue of a psychological thriller, The Stranger—Camus''s masterpiece—gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. With an Introduction by Peter Dunwoodie; translated by Matthew Ward. Behind the subterfuge, Camus explores what he termed "the nakedness of man faced with the absurd" and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life. “The Stranger is a strikingly modern text and Matthew Ward’s translation will enable readers to appreciate why Camus’s stoical anti-hero and ­devious narrator remains one of the key expressions of a postwar Western malaise, and one of the cleverest exponents of a literature of ambiguity.” —from the Introduction by Peter Dunwoodie First published in 1946; now in translation by Matthew Ward.

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