Black Classics: The Brothers Karamazov

By Fyodor Dostoyevsky

10.00 JOD

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ISBN: 9780140449242

Publisher: Penguin Books Ltd

Binding: Paperback

Number of Pages: 1056

Publication Date: 27-Feb-03

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The most magnificent novel ever written’ Sigmund Freud

The murder of brutal landowner Fyodor Karamazov changes the lives of his sons irrevocably: Mitya, the sensualist, whose bitter rivalry with his father immediately places him under suspicion for parricide; Ivan, the intellectual, driven to breakdown; the spiritual Alyosha, who tries to heal the family’s rifts; and the shadowy figure of their bastard half-brother, Smerdyakov. Dostoyevsky’s dark masterwork evokes a world where the lines between innocence and corruption, good and evil, blur, and everyone’s faith in humanity is tested.

Translated with an Introduction and notes by DAVID McDUFF

Fyodor Mikhailovich Dostoevsky was born in Moscow in 1821. His debut, the epistolary novella Poor Folk(1846), made his name. In 1849 he was arrested for involvement with the politically subversive 'Petrashevsky circle' and until 1854 he lived in a convict prison in Omsk, Siberia. From this experience came The House of the Dead (1860-2). In 1860 he began the journal Vremya (Time). Already married, he fell in love with one of his contributors, Appollinaria Suslova, eighteen years his junior, and developed a ruinous passion for roulette. After the death of his first wife, Maria, in 1864, Dostoyevsky completed Notes from Underground and began work towards Crime and Punishment (1866). The major novels of his late period are The Idiot (1868), Demons(1871-2) and The Brothers Karamazov (1879-80). He died in 1881.

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The most magnificent novel ever written' Sigmund Freud The murder of brutal landowner Fyodor Karamazov changes the lives of his sons irrevocably: Mitya, the sensualist, whose bitter rivalry with his father immediately places him under suspicion for parricide; Ivan, the intellectual, driven to breakdown; the spiritual Alyosha, who tries to heal the family's rifts; and the shadowy figure of their bastard half-brother, Smerdyakov. Dostoyevsky's dark masterwork evokes a world where the lines between innocence and corruption, good and evil, blur, and everyone's faith in humanity is tested. Translated with an Introduction and notes by DAVID McDUFF